Dunes House

The villas in the sea dunes enjoy a uniquely privileged location and a most rich nature of olive groves, cypress trees and local herbs rising from the sand dunes, a step away from the villa threshold. In order to fit harmonically in the messenian landscape, we wanted to create an identity and a system out of which a series of villas would be born, each of them unique in adaptation to its surroundings, but all sharing an architectural language.

For this, we were inspired by 2 poles: the clearly distinguished exoskeleton of classical greek architecture, as seen in shrines nearby, where  the enclosed core is surrounded by an exterior structure-”stoa” that allows the building to enjoy a smooth transition from the indoors-outdoors, through a perimetral deep facade that blurs the line of the building’s outline. The classical temple is also known for its purity of geometry, the rhythmic repetition of elements of elegant proportions and an absolute symmetry.

The approach to the villa is ceremonial, with a choreographed axial entry between two main volumes that leads to clear views to the sea. When crossing the entrance threshold, the circulation between the modules is softer, as it should be inside the scale of everyday living, inviting you to take off your shoes and enjoy the more flexible and continuous layout of in and out.

The modular  system allows us to extend the modules on the vertical axis, adding a second level to the growth of the villa. Private – communal life are organized in distinction:  In the 1 level villa, the entry axis separates private from social spaces, while in the 2 level villa the separation in the levels of privacy comes from the change in floor levels.

When stitching modules, courtyards emerge as moments of visual connections and relief, bringing in light, wind and the outdoors in the deeper parts of the house as you move away from the iconic front views. The building meanders around natural elements, woven around feature trees that interact with the house and bring further purpose to these moments of punctuation.

The same materials and elements are used either to open up the structure or close it back in, just by a shift in the rhythm of their alignment. Within each module there is linearity, an axial sequence of column and views, but zooming out to evaluate the composition from the outside, you get misalignment, fragmentation and complex outlines in a somehow fine-tuned imperfection.